You may be familiar with Fr. Eric's calligraphy. Many of his religious pieces are sold through Abbey Press and many other sites selling religious works. He studied Roman letters with Father Edward Catich, and his Roman letterforms were quite beautiful.
Father Eric was a monk and priest at St. Meinrad Archabbey in southern Indiana. I met him through calligraphy, and St. Meinrad's beautiful campus hosted many exhibits of his works, as well as those of Fr. Donald Walpole - an artist friend of his who passed just the day before at age 94. Fr. Walpole's brother was my parish priest growing up, and the stained glass windows in my church were designed and created by Fr. Donald. It was a fun little coincidence in my friendship with Fr. Eric.
Every visit my friends and I made to St. Meinrad and Abbey Press included a visit with Father Eric. Sometimes we shared lunch, sometimes a walk around the grounds, and once we were treated to the lyrical sounds of chanting in the chapel. Fr. Eric was a former director of Abbey Press and knew my recently deceased former boss, publisher of Automobile Quarterly, who at one time was art director there and often asked me about Fr. Eric. It is a small world. And I wonder if the two have met in heaven yet.
Once, friends from Kentuckiana and the Evansville region got together with Father Eric's help to have a calligraphy workshop retreat at St. Meinrad. Fr. Eric taught a session, I taught a session, several others also taught sessions, and it brought many good people together who otherwise might never have met. Last Spring I was in a workshop in Memphis with beautiful Travis, a transplant to Arkansas whom I remembered fondly from the Evansville guild. This connection to the Evansville guild also led to my taking workshops from the 'Queen of Calligraphy' Sheila Waters, whom the Evansville guild had contracted with to teach there. (She broke her wrist at one of the workshops and we feared it might end her calligraphic career, but she is indomitable.) The calligraphy field is full of such connections that make us feel almost like a family.
Father Eric was very prolific. When I once lamented that I worked at my dining room table and had to clear projects away each night, he taught me that it is important to have a dedicated space for art. In his case it was only a small table in his tiny quarters - but it was a place where he didn't have to clear away what he was working on each night, but could keep his tools and current project out for work when he had time. His days were quite full with development office work, traveling to many churches to fill in when priests were needed, prayer and more. His calligraphy time was limited, just as mine was as a young mother then. He taught me to flourish, he taught me how to drop color into water-drawn letters to get magic. Of course, when he dropped colors into his Roman letters it was sheer heaven. And speaking of heaven, I picture Father Eric in heaven now lettering for the angels with one of their own quill feathers...taken from the left wing, of course!
I found these images of a few of Father Eric's pieces online.
Requiem in Pacem, old Friend.
